If there’s a moral to this season it’s not that crime doesn’t pay — it’s that crime only pays for some.

Who saw that coming? No, seriously, could anyone have seen that coming?

Season four’s oddest episode is as wild a departure as this series has ever attempted.

An episode filled with origin stories finds all sorts of ways to complicate our feelings toward its colorful criminals.

The drama between the Faddas and the Cannons is getting more complicated by the minute.

Loy may like the monologue, but he’s not just talk.

An episode that feels like a tipping point delivers the first high-level casualty of the Fadda-Cannon conflict.

While Loy sits and makes plans, Josto’s staying busy, albeit in ways that may not benefit his long-term survival.

We’ve now gotten the first small volley in what’s shaping up to be a full-on war between the Faddas and the Cannons.

A dense kickoff episode delivers a new setting, new characters, new conflicts, and some new (old) Coens reference points.